From Canada, Penelope Thomas came to NY to study dance with Merce Cunningham; then through a series of fortunate and unfortunate events, she wound up back in singing and acting. Credits include lead vocals with FauveMuseum on two albums and live at Symphony Space, singing back-up for Bistro Awards director Shellen Lubin at the Metropolitan Room, reading poet Ann Carson’s work at the Whitney, and touring North America and Europe with Mikel Rouse’s The End of Cinematics. In Toronto, she studied piano at the Royal Conservatory of Music and cello with the Claude Watson School for the Arts, and in New York she studied music theory with Mark Wade. She's taught in the New School’s Sweat musical theatre intensive and taught dance in public schools and conservatories.
Susie Mosher is a hell of a good host. She wrangles a weekly Tuesday variety night with a rotating group of performers at Birdland Theater; when I was there on September 14, her crowd seemed to be a crossover between local Broadway and cabaret fans, tourists, and an enthusiastic office party. She was ready for […]
When Amy Jo Jackson says she’s offering the CliffsNotes guide to Tennessee Williams’s body of work in The Brass Menagerie, she’s being cheeky. It’s far too modest. But she would know that, because she knows exactly what she’s doing. The characters from Williams’s plays are emotionally linked with troubled members of his own family, and […]
A lucky few who braved torrential rain got to hear The Royal Bopsters’ second set on Wednesday, September 1. The Pangea stage was challenged to make room for four singers and their rhythm section: their close harmonies were echoed in the tight spacing. A legitimate heir to the vocalese tradition—especially Lambert, Hendricks & Ross—these four […]
“What Is This Thing Called Love?” is a deceptively simple 1929 Cole Porter tune that alternates major and minor chords, and is a perennial favorite of jazz musicians. Pianist and singer Alex Leonard set it up as a ballad, sliding in on lead vocals for the first verse, then switched it up with a tempo […]
Three women emerged silently in low light from the back of the house; winding between café tables, eyes scanning the horizon, parasols aloft; the pianist and percussionist shimmered a soundscape for them as they made their way to the stage; everyone had a hat. André De Shields is not just a legendary artist—veteran Broadway performer, […]
Rachelle Garniez opened Gone to Glory by biting off a big piece of “Killed by Death” (Motörhead: Ian “Lemmy” Kilmister, Würzel (Michael Richard Burston), Peter Gill, Philip Campbell). For the past five years, Garniez and Pangea have celebrated the legacies of recently-passed recording artists; it started in 2016 with the losses of David Bowie and Prince. […]
Many of us who are crawling out of our pandemic isolation might be ready to dive into hedonism—in the hope that it could serve as a tonic for the underlying rumble of fear we’ve lived with for the past year. Enter Artemisia LeFay’s timely Weimar-themed show at Don’t Tell Mama, Ghosts of Weimar Past, where […]
In 1949, Rodgers & Hammerstein’s “You’ve Got to Be Carefully Taught” from South Pacific outraged many people with its positive take on interracial relationships. Seventy-two years later, it’s painfully obvious that we’re still not truly learning, so it’s a timely title track for Gary Negbaur’s 2021 Blujazz label album. Negbaur’s rendition is catchy—he covers the […]
With her sophisticated presence, the clarity of her voice, and a professional skill set that assured us that “she’s got this,” Ann Kittredge brought so much to her recent offering at the Green Room 42. Titled Fancy Meeting You Here: An Evening of Ahrens & Flaherty,” it showcased repertory from the songwriting duo’s recent Broadway […]
The title of Lianne Marie Dobbs’s recent show at The Green Room 42—Why Can’t a Woman Be More Like a Man…?—is a loaded question. Rather than tackling the question head-on, Dobbs left it open, approaching a few possible angles as she considered female identity, offering a few of her own thoughts along with those of […]
