CD Review: Elizabeth Ward Land’s “Still Within the Sound of My Voice—The Songs of Linda Ronstadt
It is a tricky proposition to make a studio recording of a cabaret show; there are so many elements to consider. Most of the people who hear the recording will not have seen the show and will have no frame of reference other than the audio. Tempos, keys, arrangements, and order might need to be […]
Club Review: Josephine Sanges’s “The Funny Girl in Me”
In cabaret, the overall quality of a performer is often much more important than the beauty of a voice—or even the skill of a vocalist; I’ve gradually been won over to the side of acting choices. But Josephine Sanges’s sound stopped me in my tracks. She has the bright ping-ring quality of Streisand in her […]
CD Review: Allen Austin-Bishop’s “Why Go?”
It is always exciting to come across a new recording that is filled with surprising song choices from surprising sources delivered by a singer who covers them with a passion, intelligence and the personal phrasing of a singer-songwriter delivering his own material. That is what I discovered in Why Go?, the new release by Allen […]
CD Review: Patrisha Thomson’s “Wild is the Wind”
Sometimes listening to the repertoire featured on a recording can be like slipping into a favorite old coat; the coat is well-made and provides comfort, warmth, and a dash of elegance, with few surprises other than in the quality of the craftsmanship. Wild is the Wind, the new release from singer Patrisha Thomson is just […]
How About an Apéritif Before the Show?
Whet your appetite for April 30th’s Bistro event with a taste from our 30th anniversary awards show. A buffet of performers at their best including Dee Dee Bridgewater, Carol Fredette, Jason Graae, Karen Mason, Marilyn Maye, and others. (Jason Graae’s opening number written by Rick Jensen and Sally Mayes; video created by Evan Seplow/StageBuddy Pro. […]
Darlene Love: From “Rebel” to the Rock & Roll Hall of Fame
Pop icon and Rock & Roll Hall of Fame inductee Darlene Love was honored at the 32nd Annual Bistro Awards on Monday, March 13, 2017, receiving the ASCAP-Bob Harrington Lifetime Achievement Award for her five decades of musical accomplishments. Rolling Stone has called Love “one of the greatest singers of all time,” and The New […]
André De Shields: A Video Glimpse of an Artiste Extraordinaire
The Bistro Award team created a video montage for the multi-award-winning artiste extraordinaire, André De Shields, when he was honored with its 2018 Bob Harrington Lifetime Achievement Award. However, as things can happen during a live performance, we never got the chance to show it! So, here it is now, a two-and-a-half minute glimpse of […]
How Important Is It to Have a Director? Here Are What a Few Directors and Artists Have to Say
Article #12 in The New Cabaret Artist’s Handbook. Part Two of Shellen’s Lubin’s discussion on the importance of directors in cabaret. I hope you’ve figured out from the “shopping list” of directorial tools and qualities that I noted in Part One of this article that each director brings their own skill set and perspectives to the […]
Just How Valuable Is a Director to Your Cabaret Act?
The New Cabaret Artist’s Handbook Article #11 in this continuing series. Most likely there have been times when you’ve asked yourself this question: “Do I really need a director for my cabaret show? After all, I have a theme and ideas, plus I’m working with my longtime musical director who is smart and savvy and […]
The Musical Marriage Continues: Your Musical Director and You (Part Two)
Article #10 in this running series. For this half of our focus on musical directors (just in case you missed Part One: read it here), I posed some challenging questions to a number of them along with a few singers. We’ll begin with Daryl Kojak, who has been the musical director for most of the Bistro Awards […]
The Musical Marriage: Your Musical Director and You (Part One)
Article #9 in this running series. Your musical director is probably your first and most primary connection as a cabaret artist. In fact, if you don’t have a director and/or writers with whom you’re working (both of which we will be addressing in future pieces), they may very well be your only collaborator in the […]