From Canada, Penelope Thomas came to NY to study dance with Merce Cunningham; then through a series of fortunate and unfortunate events, she wound up back in singing and acting. Credits include lead vocals with FauveMuseum on two albums and live at Symphony Space, singing back-up for Bistro Awards director Shellen Lubin at the Metropolitan Room, reading poet Ann Carson’s work at the Whitney, and touring North America and Europe with Mikel Rouse’s The End of Cinematics. In Toronto, she studied piano at the Royal Conservatory of Music and cello with the Claude Watson School for the Arts, and in New York she studied music theory with Mark Wade. She's taught in the New School’s Sweat musical theatre intensive and taught dance in public schools and conservatories.
John and Matthew Drinkwater are twins—singing, football-playing twins, in their senior years at Wagner College. As I sat down to watch their recent show at Don’t Tell Mama, I must admit I had a little trepidation that—with their being young, playing to a home crowd, and probably not thus-far knocked around by show business—I’d be […]
In her recent show at Pangea, Deb Berman took what could have been straight-ahead cabaret fare—American Songbook standards and personal stories—and made every moment land with authenticity and finesse. Opening with “It Don’t Mean a Thing (If It Ain’t Got That Swing)” (Duke Ellington, Irving Mills) and closing with “Things Are Swinging’” (Jack Marshall, Peggy […]
The Jazz Bastards are a hot mess. Or so they’d like you to think. If they’re anyone’s illegitimate children, it’s not just jazz’s—Les Paul is one possible father figure, as are any of the deadpan comedians from Buster Keaton on down to John Belushi, and perhaps Elvis Costello and Tom Waits are great-uncles. Their two […]
What if, at the crossroads of your life—where you have to make decisions that will save you or damn you forever—you were not alone? What if a high priestess met you there, tall and sparkling, wise and smiling, reaching out her hand to guide your poor, fumbling human heart and teach you that you were […]
Raquel Cion’s show at Pangea is entitled Me & Mr. Jones: My Intimate Relationship with David Bowie. Like Bowie, Cion is a shapeshifter. With layered costumes by David Quinn, she peels back the story of her childhood, teenage years, and adult relationships with the icon in his many incarnations. With her low, textured voice, the music […]
John Kelly’s current version of Joni Mitchell, on view at Joe’s Pub, is stripped-down—not officially drag, yet still bearing traces of his earlier incarnations of the character, which featured a wig and costume. This Joni is John in simple clothes, on guitar, supported by pianist and music director Zecca Esquibel. Listening to him, I was […]
Katie Thiroux does the work of two people on stage, which is a remarkable feat of coordination that stems from a single soulful and clever musical sensibility. There are some wonderful singing bass players in jazz these days; Esperanza Spalding, Nicki Parrott, and Kate Davis come to mind. Thiroux takes her rightful place among these […]
If Leona Helmsley were in purgatory and she had a free pass to spend an hour topside, would she do a cabaret? It’s a great premise. You’ve got to hand it to Alex Lippard for thinking that this would be a timely moment to wonder how a nasty, larger-than-life New York real estate mogul could […]
The theme Rachel Ulanet explored in her solo debut at Feinstein’s/54 Below was her quest for integrity at a politically conflicted time; it centered around the third song in the set, Neil Young’s “Heart of Gold.” This was Young’s only U.S. #1 single; interestingly, it was recorded at a time when a back injury pushed him […]
In his recent show at the Laurie Beechman Theatre, Golden Ticket: The Songs of Leslie Bricusse, Stearns Matthews demonstrated that he is working with an embarrassment of riches. Even more than possessing a sweet lyric baritone that testifies to a solid classical training, he radiated intelligence, integrity, and a love of music that he shared […]