Gerry Geddes

Gerry Geddes, critic for BistroAwards.com, is an award-winning director, writer, teacher, performer, lyricist, and a contributor to the podcast Troubadours and Raconteurs. He conceived and directed the acclaimed musical revues Monday in the Dark with George (Bistro and MAC Award winner), Put on Your Saturday Suit—Words & Music by Jimmy Webb, and Gerry Geddes & Company (in its five-year residency at Pangea). He has directed singers André De Shields, Darius de Haas, Helen Baldassare, and Lisa Viggiano. He has been active in the cabaret world for over five decades and has produced numerous CDs; his lyrics have been performed and recorded here and in Europe. Gerry’s workshop, The Art of Vocal Performance, is regularly offered to singers of all levels. His memoir of life in NYC, Didn’t I Ever Tell You This?, was recently published and is available at barnesandnoble.com. He is currently at work on his first novel.

Club Review: Amanda McBroom’s “Crimes of the Heart,” with Michele Brourman

Gerry Geddes
"The Portrait" is one of Amanda McBroom’s most beautiful and beloved creations. I was reminded of it during her delightful new show, Crimes of the Heart, at Birdland, not because she sang it, but because I was amazed that she looked the same as when I had seen her decades ago at the old Ballroom...

Club Review: “David Dean Bottrell Makes Love: A One-Man Show”

Gerry Geddes
David Dean Bottrell is an actor, a writer, and a fixture on the storytelling circuit in New York City and Los Angeles. He is perhaps best known for his unforgettably scene-stealing, creepy guest star turn on Boston Legal as Lincoln Meyer. His  show at The Triad, David Dean Bottrell Makes Love: A One-Man Show, is...

Club Review: Therese Lee’s “Riding the Bus to the Red Carpet”

Gerry Geddes
Singer/actress Therese Lee had her first taste of those "fifteen minutes of fame" interviewing stars whose fame has lasted longer than Warhol predicted. Her story of getting there, and what happened when she did, form the basis for her highly entertaining new show, Riding the Bus to the Red Carpet, smartly and sensitively directed by...

Club Review: “Andrea McArdle & Friends Celebrate the 45th ANNIEversary”

Gerry Geddes
Andrea McArdle made a glamorous entrance on to the stage at Feinstein’s/54 Below to a vamp from “Annie” (Charles Strouse, Thomas Meehan) wearing a voluptuously feathery black coat that put the “frill” in frilly. She doffed the coat within seconds, but she had achieved the effect she was after. Beneath the coat was a ravishingly...

Jimmy Webb on His Love of Cabaret, Its Traditions, Its Venues, Its Intimacy: A Conversation with the Bistro Awards’ 2022 Lifetime Achievement Award Honoree

Gerry Geddes
It was a special treat to be able to interview one of my two favorite songwriters (the other being a certain Mr. Sondheim) in advance of his receiving the 2022 ASCAP–Bob Harrington Lifetime Achievement Award. In addition to helping me get to know the man, the interview evolved into a kind of retrospective on the...

CD Review: Mark Winkler’s “Late Bloomin’ Jazzman”

Gerry Geddes
 Singer Mark Winkler is the genuine article. To borrow a quote from a classic Blossom Dearie song, “If it were hip to be hep he’d be hep.”  He is a laid back, swinging, hip jazz singer and, as his new CD Late Bloomin’ Jazzman highlights, he is one hell of a lyricist. In fact, the recording is...

Club Review: Salty Brine’s Living Record Collection—”How Strange It Is”

Gerry Geddes
The album In the Aeroplane Over the Sea by Neutral Milk Hotel, was released on February 10, 1998. The group was the brainchild of singer/songwriter Jeff Magnum, whose lyrics were in some instances inspired by the writings of Anne Frank. The amalgam of indie rock and art folk has given rise to much acclaim, both...

Club Review: Karen Mack & Elliot Roth

Gerry Geddes
The front lounge at Pangea has become a relaxed, friendly hybrid of cabaret and piano bar with no cover and no minimum.  The talented duo of Karen Mack and Elliot Roth fits the room and the feel to a proverbial “T.”  They are both seasoned pros but here, liberated from the restrictions and familiarity of...

Theatre Revue: “Notes from Now—Songs of Resilience & Renewal”

Gerry Geddes
The new revue, recently presented at 59E59 Theaters, Notes from Now—Songs of Resilience & Renewal is, like most revues, a hit-and-miss affair, but when it hits, it is very, very good.  It features mostly newly commissioned original songs by contemporary musical theatre writers.   The show opens with Adam Gwon’s “Don’t Swat the Bee,” which...

Critical Thoughts: You’ve Rehearsed and Rehearsed….Now What?

Gerry Geddes
For the purposes of this column, I will be wearing both a director’s hat and a critic’s hat, with the former being a bit larger than the latter.  You will see why as we go—  1) Patter, Patter, Patter Sometimes even the most seasoned of performers will find patter (talking between songs) the most difficult...