Shellen Lubin is a veteran of both the cabaret and theatre worlds as a director, songwriter, performer, and voice and acting teacher/coach; she has directed the Bistro Awards for the last eight years. She is currently director/dramaturg in development with projects by Lanie Robertson, Stuart Warmflash, Amy Oestreicher, and more. Proud member of SDC and most unions and guilds in the theatre industry; Co-President, League of Professional Theatre Women; Past President, Women in the Arts & Media Coalition; Chair of the National Theatre Conference's Women Playwrights Initiative. She writes a weekly think piece read by thousands called "Monday Morning Quote." www.shellenlubin.com, www.mondaymorningquotes.com, @shlubin
Article #5 in this running series. A key factor to creating a successful cabaret act or revue is to give the show an emotional throughline underpinning it. The classic notion of choosing a bunch of songs that you like, and then alternating uptempos with ballads, can create a haphazard and unfocused experience, even if it […]
Interpretation, not imitation! Article #4 in this running series. Most of the time and, in most performance situations—particularly in cabaret, you’ll want to give every song you perform your own stamp. Why? If you’re trying to find your own voice as a performer and an interpretive artist, the last thing you want to do is […]
Article #3 in this running series. What draws you to a song and why does it matter? If you like a song, shouldn’t you just go ahead and sing it? Yes, it does matter. And depending on why you fall in love with a song, it may or may not be right for you. Songs […]
Article #2 in this running series. “Just be yourself on stage.” Sounds easy, right? The truth is it’s anything but easy. Every time you go on stage, you’re playing the role of some person. In theatre, it’s through a character. In cabaret, the person is you. Defining who you are on stage—the aspect(s) of yourself […]
This is article #1 in this new running series by Shellen Lubin. You go to see a show. It’s in a nightclub, or a concert hall, or outdoors in a park. There’s one person onstage, or a few people, or maybe there’s no stage at all. They’re singing, and maybe they’re talking, too. There’s one accompanist […]