Mark Dundas Wood is an arts/entertainment journalist and dramaturg. He began writing reviews for BistroAwards.com in 2011. More recently he has contributed "Cabaret Setlist" articles about cabaret repertoire. Other reviews and articles have appeared in theaterscene.net and clydefitchreport.com, as well as in American Theatre and Back Stage. As a dramaturg, he has worked with New Professional Theatre and the New York Musical Theatre Festival.
All right, so you’ve read pretty much everything that’s ever been written about American songwriter Stephen Sondheim, and you’re thinking: Why on earth would I need to have something called The Stephen Sondheim Encyclopedia? Let’s put your Sondheim knowledge to the test with three questions (no Googling allowed!): Who was originally hired to play Fredrik […]
Repertoire for the Once and Future American Songbook Article #14 in this ongoing series In the most recent installments of “Cabaret Setlist,” we’ve looked at the brilliant-but-dark “Lush Life” and the splendid-but sad “When October Goes.” I love these musical explorations of anguish and heartbreak, but I realize they’re not the only sorts of songs […]
Repertoire for the Once and Future American Songbook Song #13 in this running series The lucky thirteenth installment of Cabaret Setlist centers on “When October Goes,” a short, bittersweet, and evocative ballad of love and loss. The song, which debuted in 1984, has gradually come into its own as a modern standard. It has a […]
Repertoire for the Once and Future American Songbook Song #12 in this running series Billy Strayhorn’s intricate ballad “Lush Life” has, I think, something in common with Stonehenge—England’s massive and mysterious Bronze Age monument. Both are remarkable accomplishments whose existence seems scarcely plausible. You can’t fully explain how they arrived or what inspired their creation. […]
Repertoire for the Once and Future American Songbook Selection #11 in this running series. There’s nothing like mixing things up a little. The format of today’s “Cabaret Setlist” differs somewhat from previous installments. Up until now, we’ve looked at specific songs and the ways in which singers have made them their own. Today, we’ll check […]
Repertoire for the Once and Future American Songbook Song #10 in this running series. Cabaret Setlist began in May of this year with a look at Richard Rodgers and Lorenz Hart’s “Little Girl Blue.” I’ve been tempted to return to the Rodgers & Hart catalog before this, but thought it was too soon. Now that […]
Repertoire for the Once and Future American Songbook Song #9 in this running series Although Dar Williams’s song “When I Was a Boy” would go on to become a signature number for her, she once apparently harbored doubts about its potential. This eloquent and extremely likable story-song might well have been laid to eternal rest […]
Repertoire for the Once and Future American Songbook Song #8 in this running series. This installment of Cabaret Setlist is published on the day before what’s being called the most significant presidential election of our lifetimes. Wanting something pertinent to the occasion, we decided on a Broadway song first heard in 1976, the year of […]
Repertoire for the Once and Future American Songbook Song #7 in this running series Walter Donaldson and Gus Kahn’s “Makin’ Whoopee,” first sung by Eddie Cantor in the 1928 musical Whoopee!—is a hardy comedic evergreen. While researching it, I was startled to discover that the person I would most have wanted to interview was…Sir Winston […]
Repertoire for the Once and Future American Songbook Song #6 in this running series Part of my intention when starting this series was to take a fresh look at songs from the American Songbook that have endured over several decades. Additionally, though, I wanted to examine newer songs, ones that would seem to have an […]