Lisa Jo Sagolla is the author of "The Girl Who Fell Down: A Biography of Joan McCracken" and "Rock ‘n’ Roll Dances of the 1950s". A choreographer, critic, and historian, she has written for Back Stage, American Theatre, Film Journal International, and numerous other popular publications, encyclopedias, and scholarly journals. An adjunct professor at Columbia University and Rutgers, she is currently researching a book on the influence of Pennsylvania’s Bucks County on America’s musical theatre.
A mellow CD of Christmas songs featuring vocalist Liz Callaway accompanied by the quiet acoustic guitar-playing of Peter Calo, Comfort and Joy: An Acoustic Christmas may be the perfect soundtrack for what this year will surely be a low-voltage, less-festive-than-usual holiday season. One might think a solo singer supported only by a guitarist wouldn’t generate […]
It all depends on one’s philosophy of music: Why do you think music exists, and what purpose does it serve? Is it something you seek out for its power to lift your spirits? Or do you value music for its ability to reflect and affirm your emotions, even if you’re feeling blue, perhaps about the compromised […]
Of all the revered composers of Broadway’s Golden Age, whose work makes up a large part of the American Songbook mined by cabaret artists, Harold Arlen is perhaps the most blatantly jazz-influenced. For this reason – while the composer’s fans are surely delighting in the recent release of Ridin’ on the Moon, Volume 3 […]
An exquisitely soothing CD, Tania Grubbs Quintet: Live at Maureen’s Jazz Cellar serves up delicious jazz—of the ilk that needs to be heard again and again. The richly textured arrangements, created by vocalist Tania Grubbs and bassist Jeff Grubbs (her husband), are so wonderfully layered that they’re only fully appreciated after multiple listenings. Despite […]
Sparked by the killing of George Floyd on May 25, an unprecedented outpouring of protests against our nation’s systemic racism got every one of us thinking more urgently about racial inequality. We now understand that we all have the responsibility to act—both personally and professionally—as anti-racism agents of change. Earlier this summer, I wrote about […]
On the one hand, the New York cabaret scene is remarkably diverse. It showcases performers brand new to the business, spotlights mature artists of an age rarely featured on stage or screen, and proudly welcomes a rainbow of gender and genre expressions. On the other hand, cabaret is decidedly monochrome. Cabaret stages and audiences […]